One way to hold tableau: a flat surface with things set out on it, and someone standing back to take in the whole arrangement at once. Fill that surface with figures and you have the painting — a crowd you read as one picture. Let living people do the holding still and you get the stage version, a picture that will breathe again in a moment. Take away the arranging altogether and a real room can fall into the same shape by accident, which is what a writer means today. And if you keep the flat ruled surface but put numbers on it instead of faces, you still have a tableau; the word has simply kept the board and let go of the paint.

tableau 可以想成一個平面,上面擺著東西,而有個人退開一步,一次把整體看進去。把這個平面填滿人物,就成了畫——一群人被你當成一幅畫來讀。讓活人自己定住不動,就成了舞台上的版本,一幅過幾秒又會呼吸的畫。如果連安排都拿掉,現實中的房間也可能碰巧落成同一個形狀,這就是今天作者筆下的用法。而要是保留那個劃了格線的平面,只是把臉換成數字,它仍然是 tableau——這個字留下了那塊板,只是放掉了顏料。

From the word’s history

English took tableau unchanged from French tableau, which goes back to Old French tablel, a flat surface used mainly for painting on. The board comes first; everything else in the entry is either what goes on the board or something that behaves like it.

英文原封不動地借用了法文的 tableau,而它可以上溯到古французe 的 tablel,指一塊主要拿來作畫的平面板子。先有那塊板,這個字底下其他所有意思,不是板上擺的東西,就是行為像那塊板的東西。

Wiktionary, "tableau"

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